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DARRIN BELL
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“If I criticize Obama, I’m racist?!”

Every time I follow a link from the Drudge Report to an article that allows comments, I inevitably find some indignant Drudge poster writing “if I criticize Obama, I’m a racist?!” Having been accused of racism myself for odd reasons (drawing a cartoon condemning racism makes you racist in some people’s eyes), I don’t automatically dismiss the sentiment. But then those posters usually go on to call Obama “Kenya’s favorite son,” or to say something else that demonstrates why their Obama criticism is suspect. I bet this cartoonist indignantly says “if I criticize Obama, I’m racist?!” all the time.
David Cohen
Asheville Citizen-Times
Feb 9, 2009

George Carlin on Death

I’d love to hear what George Carlin would say about all the cartoonists who’re going to draw him doing stand-up at the Pearly Gates. Warning: Rated R for language. Don’t listen to this at work.

“Stephanie Miller Show” goes slumming with Candorville’s Darrin Bell

For some unknown reason, Elayne Boosler, guest hosting the Stephanie Miller Show on Jones Radio Network (& aired on many Air America affiliates), decided to spend a few minutes interviewing yours truly this morning. I didn’t post about this beforehand or tell friends or family because it would scare the hell out of me knowing that people were actually listening to me live. “They” say most Americans fear public speaking more than they fear death, and for a cartoonist who’s used to spending his days alone, half-naked in a tiny studio with only his characters to keep him company, death would be #3. #2 would be having to wear pants.Still, I sit for interviews whenever I’m asked because, hell, this is a dream come true for me — creating cartoons that strangers (who don’t owe me anything) spend a few precious, irretrievable seconds out of their days to read — and when someone asks me to talk about that on the radio or TV or a panel discussion, it’s a reminder that it’s actually happening, that that little kid who “wasted time” drawing Optimus Prime and Snoopy in his textbooks actually became what he wanted to be.Here’s the interview. Behind this buffer of time, it isn’t so scary. From today’s Stephanie Miller Show:

It’s cool, but is it an editorial cartoon?

Editorial cartoonists are dropping like flies, in concert with the declining health of the newspaper industry. The Internet is the most likely culprit. As people increasingly turn to to their computers for news, some cartoonists, like Mark Fiore, are adapting as well — becoming animators. This year’s Pulitzer winning editorial cartoonist won partially for his body of animated work, and members of the AAEC are asking themselves: If it’s animated, is it still an editorial cartoon?Check out this animation by Nick Anderson of the Houston Chronicle. What do you think?

Candorville Nominated for the Glyph Award (again)

Candorville’s been nominated for a Glyph Award. Awards are ridiculous popularity contests signifying nothing. Unless Candorville wins, in which case awards are proof of quality and merit. Here’s the list of nominees, as reported by Editor & Publisher and The Comics Reporter:
“Best Comic Strip”Candorville, Darrin BellThe K Chronicles, Keith KnightTemplar, Arizona, Spike(th)Ink, Keith KnightWatch Your Head, Cory Thomas 
Smart money’s on an upset by Ziggy.

Channeling one’s inner loser

Not a week goes by that I don’t check my inbox and see a variation of the following question: “Mr. Bell/Darrin/Moron, how do you get the characters in ‘Candorville’ to seem so three-dimensional? I want to work long hours for 1970’s wages as a cartoonist someday, but my characters seem so flat and lifeless.”Here’s how you do it, kids: stay in school, read as much literature as you can get your hands on, and always cross at the crosswalk (I don’t know what that has to do with learning about character development, but it’s a good idea anyway).Other tricks: Pay attention to the people around you, and create backstories for them in your head. See a homeless person? Create a story about how he ended up that way. Not only will you be on the road toward developing three dimensional characters, but focusing on the plight of another human being helps you develop your “compassion muscle.” Unless, of course, you come up with some calvinist backstory about how the guy’s homeless because he deserves to be, which would be a pretty boring, two-dimensional story.Or you can take the easy way out, and simply channel your inner loser. Be critical of yourself. Have you done anything stupid that you wish nobody would ever know about? Don’t repress it deep in your subconscious, where it’ll fester until it eats some choice part of your soul. Don’t live in denial. Confess your loserness to the world. Not only will it keep your soul from being eaten, it’ll give you some quality character development.Case in point:Of course, for this strip I used option A. I would never do something like this in real life.•••

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